Sunday, November 30, 2025
11/2025
Friday, November 28, 2025
Tuesday, November 25, 2025
Severed: on Murakami's South of the Border, West of the Sun
I just re-finished South of the Border, West of the Sun by Murakami upon seeing a book club that would discuss it at the end of the day. I already read it as one of the first Murakami books I read upon recommendation by my German design teacher (Ingrid). I think I was 20 years old at that time. And I tried to also remember if it's Dance Dance Dance or this one, South of the Border, West of the Sun, which she handed over to me. I believe one or the other, because she kind of introduced me to Murakami and later I became an avid reader. I also have this vague memory that I reread it as an e-book around 2017 after I broke up with my second boyfriend, Gerard. Reading this book always gave me this comfort to accompany me in my pain.
Then eight years after, with not so vivid a memory of the book, I scoured to find an audio book that I could listen to, which was doable since it only has 15 chapters and is around 8 hours in length. It's like binge-watching an entire season of a series. So I said, I will give it a shot. The last time I had this thrill of finishing a book was with Harry Potter when my schoolmate in high school lent me his book and said, “You can only have this for a day since someone else wishes to read it the next day.” So here I was, sitting under a mango tree behind our school campus in UP High Cebu until dusk, and I got so mesmerized and drunk-like with euphoria when I finished the book in one sitting.
So I started and was determined to finish it before the scheduled book club gathering at night, but when I was on the 12th chapter, I dozed off, and when I woke up, the remaining three chapters could not be finished. So I was only able to finish listening to it until chapter 13.
So there I was, at my first Murakami book club. At first I was very hesitant since I consider Murakami as something I want to keep to myself, like a jar of cookies I want to savour on my own. But I was very curious how it goes, so I joined, and lo and behold I met other Murakami fans who were so eager to share their thoughts. Although I am so shy, and the organizers were not sensitive enough in how to manage the participants who wanted to share. There was an attempt when I wanted to share my thoughts with video and camera, but there were participants whom I assume to be long-time members who could not be stopped, or I was very conscious not to interrupt to show respect. So I ended up only chatting some of my few reactions.
Some of the ideas that were shared were quite interesting; some of them I nodded to in agreement; some I had a different belief about based on my personal perspective. With this book discussion, I kept an open mind and secretly held on to what I believe and how it struck me. One of those is the realization that the film Past Lives is a parallel with this one. Also, the possibility of Shimamoto as something imagined. Well, for me she is real. Now, let me go ahead and write some of my memories of this book and my re-realizations after encountering this book for the third time.
Shimamoto is real, and I have some theories why:
Shimamoto has “taning.”
She is about to die (the medication she has, with which she almost died when she forgot to take some),
and yes, she wanted to kill herself,
and eventually wished to die with Hajime.
It's all or nothing—even the gift she gave but eventually got back:
a severing of ties, a memory---not a promise, a non-verbal goodbye.
For me, it’s one of Murakami’s most grounded novels—stripped of magic realism and focused instead on what it means to be human: suffering, raw darkness, and quiet pain.
To commemorate, I went for a walk in Cerillo (Collado Villalba) on a freezing autumnal cold and watched the sky bleed. I could not feel my hands as both of them were like ice.
The sadness I felt with the book is still within me, bringing back painful memories that I also personally have, which ride along in each passage. As if I punished myself again and again as I reminisced all the instances I got brokenhearted. I felt overwhelmed with pain, and I cried in the middle of a darkening field.
Tuesday, November 18, 2025
Now it does
This is the actual copy of the book I read back in 2008. I was twenty-three, in my first real love, and I remember having this vague sense that it was a wonderful book—just one whose teeth never quite sank into me.
Lately, I’ve been fascinated by listening to audiobook versions of Murakami’s works. I always tell my friends that once I’ve encountered Murakami, it’s hard to read—or even care about—other authors. With my eyesight declining, rereading on a screen, like an e-book, isn’t really an option anymore.
In that sense, listening to the audiobook version brings me so much joy. It’s a way of revisiting and reimagining the stories I first loved, reliving the feeling of those earlier reading days, and reconnecting with the memories of being completely absorbed in his worlds.
Now, I am listening to the audiobook of Murakami’s The Wind-Up Bird Chronicle, I’m realizing how little I actually retained. Beyond remembering that it was long (those three volumes combined into one felt endless), I don’t think I had the readerly maturity for it at the time.
Murakami’s characters are undeniably weird and absurd, but this time around the absurdity feels different—sharper, more familiar. Maybe because I finally have enough of my own life’s absurdities to hold it up against. That blurry line between the unreal and the real doesn’t feel like fiction anymore; it feels like recognition.
Back then, the last thing I remembered clearly was Toru pondering inside the well (as i personally have an experience stuck in a well when I was a kid, long story). I didn’t even register the theme of betrayal. And honestly, why would I have? I was in my early twenties, still in love with Julio, floating in my first wonderful relationship. I wasn’t jaded yet—still giddy with romance, still busy romanticizing romance itself. Everything felt soft and sensual and hopeful. No wonder the darker threads of the novel slid right past me.
After all the heartaches, the brokenness, the emptiness I’ve lived through since, the book finally has weight. Its essence is no longer just palatable—it’s digestible. It makes sense now in a way it never could have back then. Now it does.
Thursday, November 06, 2025
Only yesterday did I learn his name.
Wednesday, November 05, 2025
ug sa dihang, naa siyay ngalan
kaniadto, inisyal ra — E.S.L.
murag hunghung sa mga anghel
pero karong gabii,
ilang mga paku, adunay mga ngabil
mga pagkinto kinto sa mga tiil
kalit silang ni siwil.
usa ka tanum.
usa ka liso
sa pagturok, wala ko mag dahum
nga abi nako,
dugay na siya na lubong
sa menteryo sa kalimut.
apan, sa akong fb feed,
kalit nisubang
dala ang mga kagahapon
mga hinumduman, nikamang
mga kalag, nibangon
ug sa dihang, naa siya'y ngalan:
Eloy Sanz Luque
murag sa akong ngipon,
adunay nigimaw
usa ka dako nga kiki
iyang mga hulagway,
taga "click next"
paksit!
tagsa-tagsa,
mupisik ang mga kasakit.
mga hulagway
nga daw sa yawa,
ni agik-ik.
ni lanog sa kangitngit.
"Undangon tah ni, peste!"
Sa dili pa matintal usab,
sa dili pa maimpyerno ug balik
sa gawas,
ang uwan sa kahilum nag lumba
mitulo ang iyang ngalan:
E.S.L.
ga kinto-kinto,
susama sa gatusan na mga tiil

